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Gardens from the Tudor and Stuart periods

Thursday 3 August | 6pm – 8pm

Tickets: £12 per person or £20 for 2 persons booking together.

A lecture with Dr Ann Benson FSA FRHistS.

Gardens from the Tudor period have not survived, but we have a wealth of information about them. Amongst the nobility, ornamental gardens were a symbol of status: they reflected their owner’s wealth and an awareness of the Renaissance ideals of controlling and improving nature. For example, the Tudor knot garden, where everything is in its place, reflects a culture of bending nature to man’s precise wishes. The finest Tudor gardens were created for Henry VIII and by the courtiers of Elizabeth I, and with the same precision that is seen in the era’s wainscoting, embroidery and plaster-work. The gardens of the following Stuart period combined more complex knot designs containing coloured minerals, with more exotic plants, ornate fountains, water parterres, canals, and sculpture that became more classical than heraldic in design. This lecture brings these gardens to ‘life’ using contemporary letters, books, paintings and recreations, both real and virtual, and also includes some references to the historic Charterhouse gardens.

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A lecture with Dr Ann Benson FSA FRHistS.

Gardens from the Tudor period have not survived, but we have a wealth of information about them. Amongst the nobility, ornamental gardens were a symbol of status: they reflected their owner’s wealth and an awareness of the Renaissance ideals of controlling and improving nature. For example, the Tudor knot garden, where everything is in its place, reflects a culture of bending nature to man’s precise wishes. The finest Tudor gardens were created for Henry VIII and by the courtiers of Elizabeth I, and with the same precision that is seen in the era’s wainscoting, embroidery and plaster-work. The gardens of the following Stuart period combined more complex knot designs containing coloured minerals, with more exotic plants, ornate fountains, water parterres, canals, and sculpture that became more classical than heraldic in design. This lecture brings these gardens to ‘life’ using contemporary letters, books, paintings and recreations, both real and virtual, and also includes some references to the historic Charterhouse gardens.

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